The scene is a wooded landscape with rocks high and low, the whole relief being filled in with trees. Below on the left flows the riverin which, just as the text tells us, fishes and tortoises are swimming, there are birds in the trees and a deer lying on the rocky edge of the river to the left. It is all in accordance with the text; but it does not follow that the version of the Northern Church represented here, coincided with the Pali-j ataka known to us, for even without that the sculptor would naturally depict a scone on a mountain side with a river in this way. The pair of kinnara's stand to the left on the other side of the river, an actual embrace or expression of woe is not to tee detected, but they are hording each others right hand and looking at one another and in the left hand respectively they have a monochord cithern and a flower. They have not the human shape of the kinnara's in the Sudhanakumaravadana, but the shape usually given elsewhere to these creatures, a human body on bird legs, behind which the wings spread out. In this tale wings are rather out of place, for by using these they could have flown across the river into each others arms on that fateful night. Separated from the pair by the foliage of a tree just to the right, the king stands listening, his right hand before his breast, his face turned towards the spectator and so with his right ear listening to the loving pair. The royal retinue, not mentioned in the text, is sitting on the ground on the right; it consists of three rather damaged figures; the one most to the right has in his hand what seems to be an arrow. The dogs are nowhere to be seen, as weapon of the chase the king seems to have held a bow in his hand, of which not much remains.