first comes the couch, the
bale-bale of the present day. In its most primitive form we find it,
for instance on
O 13
|
 |
|
Series O |
Plate II 13 |
636a.JPG |
|
|
; a plank on four legs, quite rough and without
ornament. The beginning of improvement was by decorating the legs, so
as can be seen in the next scene
O 14
|
 |
|
Series O |
Plate II 14 |
635a.JPG |
|
|
. Next, when the bench is placed
out of doors, a roof supported by four columns is fixed over it and
that becomes the beginning of the pendapa. We can notice as described
above, how the sculptors tried to give the best place to the chief
actors in the scene and keep the rest subordinate, so that the
bale-bale when occupied by several figures is made the right size for
them, while the pendapa cannot possibly be stretched beyond the narrow
limits of the relief and must be made too small in proportion, only
large enough for one or two persons, far less than a pavilion in real
life would accommodate; in fact about as many as might find room on a
simple couch. As the distinction between the rooIed-in couch and
pendapa we can see that the first stands on legs and the other on a
foundation; should the lower pert be out of the picture then it is not
possible to distinguish one from the other, their design and decoration
being so much alike. On the other hand, the couch being sometimes made
with a back, is easily mistaken for a chair, especially when only one
person is seated on it and it is made rather shorter. The real couch is
of course one on which a person reclines and then this piece of
furniture often takes up the whore apartment. This we see on
IIB 81
|
 |
Awad-Jatakas |
Series IIB |
Plate XVI 81 |
3564a.JPG Awad-Jatakas |
|
|
.
There is a still more curious one on
IIB 20
|
 |
Awad-Jatakas |
Series IIB |
Plate IV 20 |
3539b.JPG Awad-Jatakas |
|
|
; at the head it has arms
like an easy-chair, the back is high but it slopes down to the sides
and rests on four legs, cushions are arranged on the back and within
the sides that support the sleeping figure. On
IBb 19
####No Reference found IBb, 19
|
, there is nothing
but a stone bench on which a mattress is laid with a bolster; in this
case we can see the resemblance to a pendapa foundation. Sometimes not
even a foundation or bench of any sort is given and the sleeper merely
laid down on a mat; this is actually done on
Ia 13
|
 |
Life of Buddha |
Series Ia |
Plate VII 13 |
2562a.JPG Life of Buddha |
|
|
to queen Maya, the
future mother of the Bodhisattva.
Thrones and seats there are plenty of, in all shapes
and sizes. The simplest kind is the square undecorated pedestal we find
very often, which even when it is improved with some ornament so as on
IBa 191
|
 |
balustrade |
Series IBa |
Plate XXI 191 |
1775.JPG balustrade |
|
|
or
II 30 and 51
|
 |
De Gandawyuha |
Series II |
Plate XV 30 |
3004.JPG De Gandawyuha |
|
|
 |
De Gandawyuha |
Series II |
Plate XXVI 51 |
3025.JPG De Gandawyuha |
|
|
, is nothing more than a block of stone or wood
with the figure seated on it cross-legged. It can be made more
comfortable by adding a mattress and bolster as the woman in no. 51
does; the chief-person on
II 89
|
 |
De Gandawyuha |
Series II |
Plate XLV 89 |
3063.JPG De Gandawyuha |
|
|
does not even require the pedestal but
sits on the floorofhispavilion with just a mattress and bolster.
Out-of-doors it may be necessary to give this kind of seat a small roof
supported on pillars; the roof is in most cases flat but occasionally
in the shape of an arched niche
O 42
####No Reference found O, 42
|
) or finished with a
three-cornered pediment
O 79
|
 |
|
Series O |
Plate X 79 |
797b.JPG |
|
|
).
Both kinds of seats, pedestal- or chair-shaped, can
have a back which is nearly always without arms. The construction may
be quite simple, merely a cross-piece ending in a couple of knobs
supported by two straight legs, more or less ornamented, and generally
in the design of makara-heads at the ends. In this last style is the
empty throne prepared on
Ia 87
|
 |
Life of Buddha |
Series Ia |
Plate XLIV 87 |
2599a.JPG Life of Buddha |
|
|
for the Buddha, with a large bolster on
it; further on,
Ia 105
|
 |
Life of Buddha |
Series Ia |
Plate LIII 105 |
2608a.JPG Life of Buddha |
|
|
, he is seated on one of a plain shape with a
back and a very elaborate pedestal so we see that chair-back and legs
andpedestal are not always equally decoraf ed. Examples of distinctly
handsome seats on a pedestal are found among others, on
Ib 118 and 57
|
 |
main wall |
Series Ib |
Plate LIX 118 |
1216b.JPG main wall |
|
|
 |
main wall |
Series Ib |
Plate XXIX 57 |
1186b.JPG main wall |
|
|
,
both in makara-design; on the first-mentioned it has become
conventionalized into tendrils; the throne on legs,
Ib 79
|
 |
main wall |
Series Ib |
Plate XL 79 |
1197a.JPG main wall |
|
|
, has a bold
rich makara decoration, where we see behind the elephant-heads the same
spiral or tendril Ornanlent familiar to us with staircase and gateway
makara's. On
Ib 13
|
 |
main wall |
Series Ib |
Plate VII 13 |
1163a.JPG main wall |
|
|
, seats are to be seen with a pedestal and with legs,
side by side. Sometimes no pedestal at all can be seen and the back
seems to rest on the ground so as
Ib 79
|
 |
main wall |
Series Ib |
Plate XL 79 |
1197a.JPG main wall |
|
|
shews us. In such cases both
mattress and bolster are desirable, see
II 62
|
 |
De Gandawyuha |
Series II |
Plate XXXI 62 |
3036.JPG De Gandawyuha |
|
|
; there are many instances
of this sort. Here are nearly always bolsters at the back, though
little can be seen of the mattress or cushions; notice one special
instance on
III 41
|
 |
Maitreya |
Series III |
Plate XXI 41 |
3126a.JPG Maitreya |
|
|
, where a pattern of squares is discernible. In front
of the pedestal there is often a cloth hanging down.
There are very few examples of arm-chairs. On
IIB9
and 89
|
 |
Awad-Jatakas |
Series IIB |
Plate I 9b |
3535a.JPG Awad-Jatakas |
|
|
 |
Awad-Jatakas |
Series IIB |
Plate XVIII 89 |
3568a.JPG Awad-Jatakas |
|
|
both scats are empty, placed ready with a cushion; possibly such
chairs were in more general use than would appear by these two
instances, and the sculptors preferred to show their figures more
distinctly without arms to the chair. A cushion by itself without any
chair appears on
IBb 92
####No Reference found IBb, 92
|
, and on
IV 41
|
 |
Samanta |
Series IV |
Plate XXI 41 |
3989a.JPG Samanta |
|
|
there is a cushion laid on top of
a lotuscushion, therefore evidently intended for a Buddha or
Bodhisattva. Sometimes on the top of the chairback there is a
semicircle
IV B 2
|
 |
Maitreya |
Series IVB |
Plate I 2 |
3718b.JPG Maitreya |
|
|
) or a niche (IB a 167) introduced; in one case
O
27
|
 |
|
Series O |
Plate IV 27 |
674b.JPG |
|
|
) a separate decoration is seen behind the whole seat, apparently not
attached to it; columns at the side and roofed over by an arch shaped
like an accolade, with a kale head in the centre and makara ornament
turned outwards at the side above the columns.
There are some seats of a different shape worth
attention. The empty chair on
IIB 27
|
 |
Awad-Jatakas |
Series IIB |
Plate V 27 |
3542b.JPG Awad-Jatakas |
|
|
shows a chairback with open work
in squares on the back between two pillars; on the top of the chairback
in the middle is a threecornered ornement in the shape of an antefix,
while the usual ornamcnt at the ends has
thec}laracterofacornerantefix.OnIa49thepedestal is not rectangular but
hexagonal. No.
IV 21
|
 |
Samanta |
Series IV |
Plate XI 21 |
3978a.JPG Samanta |
|
|
is a very remarkable one, where the pedestal is
made like a small temple, it belongs to a Buddha and therefore is not
subject to human requirements; the same with the hexagonal throne
ornamented with lions, occupied by (;akyamuni on
Ia 111
|
 |
Life of Buddha |
Series Ia |
Plate LVI 111 |
2611a.JPG Life of Buddha |
|
|
. T.
ion-tllrones are quite common, used not exclusively by a Buddha as on
IV 26
|
 |
Samanta |
Series IV |
Plate XIII 26 |
3980b.JPG Samanta |
|
|
or a Bodhisattva
II 127
|
 |
De Gandawyuha |
Series II |
Plate LXIV 127 |
3101.JPG De Gandawyuha |
|
|
,
III 12
|
 |
Maitreya |
Series III |
Plate VI 12 |
3112b.JPG Maitreya |
|
|
), but also by a woman
II 65, 71,
79, 107
|
 |
De Gandawyuha |
Series II |
Plate XXXIII 65 |
3039.JPG De Gandawyuha |
|
|
 |
De Gandawyuha |
Series II |
Plate XXXVI 71 |
3045.JPG De Gandawyuha |
|
|
 |
De Gandawyuha |
Series II |
Plate XL 79 |
3053.JPG De Gandawyuha |
|
|
 |
De Gandawyuha |
Series II |
Plate LIV 107 |
3081.JPG De Gandawyuha |
|
|
, in the last it is goddess). They are always designed with
lions supporting the seat or as smaller figures against the foot of the
throne. There is one instance where
Ib 113
|
 |
main wall |
Series Ib |
Plate LVII 113 |
1214a.JPG main wall |
|
|
) a man in royal dress is
seated on an otherwise ordinary seat with legs, while a small lion
appears underneatll in the centre. On
II 128
|
 |
De Gandawyuha |
Series II |
Plate LXIV 128 |
3102.JPG De Gandawyuha |
|
|
, already-mentioned, there
is a figure mounted on two of the four lions under Maitreya's throne;
the back is ornamented at each side with the favorite design of a
rampant lion on the recumbent elephant's head, while the lion supports
the back of the chair with its makara ornament. Such thrones are made
specially for the Buddha
Ia 100, 113
|
 |
Life of Buddha |
Series Ia |
Plate L 100 |
2605b.JPG Life of Buddha |
|
|
 |
Life of Buddha |
Series Ia |
Plate LVII 113 |
2612a.JPG Life of Buddha |
|
|
,
II 1
####No Reference found II, 1
|
); in one instance
Cakyamuni's throne is supported by a human figure instead of the lion
Ia 101
|
 |
Life of Buddha |
Series Ia |
Plate LI 101 |
2606a.JPG Life of Buddha |
|
|
) and the same variation appears in the empty chair probably
intended for a Bodhisattva on
IV B 61
|
 |
Maitreya |
Series IVB |
Plate XIII 61 |
3743b.JPG Maitreya |
|
|
and the throne for a human being
on
II 121
|
 |
De Gandawyuha |
Series II |
Plate LXI 121 |
3095.JPG De Gandawyuha |
|
|
.
Besides the large seats and thrones, there are
smaller stools and footstools and benches. We have already noticed the
low brahman-stools made in reality of cane; a very plain kind with only
one twisted line between the top and bottom, is found on
IIB 25
|
 |
Awad-Jatakas |
Series IIB |
Plate V 25 |
3541b.JPG Awad-Jatakas |
|
|
, but as
a rule it is a curve between two uprights (see for inst.
IIB 56, 79,
80
|
 |
Awad-Jatakas |
Series IIB |
Plate XI 56 |
3554a.JPG Awad-Jatakas |
|
|
 |
Awad-Jatakas |
Series IIB |
Plate XV 79 |
3563a.JPG Awad-Jatakas |
|
|
 |
Awad-Jatakas |
Series IIB |
Plate XV 80 |
3563b.JPG Awad-Jatakas |
|
|
,
II 124
|
 |
De Gandawyuha |
Series II |
Plate LXII 124 |
3098.JPG De Gandawyuha |
|
|
,
IIIB 72, 82, 84
####No Reference found IIIB, 72
|
 |
Maitreya |
Series IIIB |
Plate XVII 82a & b |
3375a.JPG Maitreya |
|
|
 |
Maitreya |
Series IIIB |
Plate XVIII 84 |
3376a.JPG Maitreya |
|
|
), sometimes angles instead of curves
II
39
|
 |
De Gandawyuha |
Series II |
Plate XX 39 |
3013.JPG De Gandawyuha |
|
|
). On
O 156
|
 |
|
Series O |
Plate XX 156 |
998a.JPG |
|
|
a stool of this basket work is being offered as a gift;
IIB 83
|
 |
Awad-Jatakas |
Series IIB |
Plate XVI 83 |
3565a.JPG Awad-Jatakas |
|
|
shews us a very fine specimen. One of the three brahmans on
IIB
32
|
 |
Awad-Jatakas |
Series IIB |
Plate VI 32 |
3544a.JPG Awad-Jatakas |
|
|
is sitting on a stool like this, the other two on a bench the legs
of which are twisted, and turn inwards in a point. A similar kind of
bench can be seen on
Ib 36
|
 |
main wall |
Series Ib |
Plate XVIII 36 |
1174b.JPG main wall |
|
|
; the three-legged footstool on
IIB 21
|
 |
Awad-Jatakas |
Series IIB |
Plate IV 21 |
3540a.JPG Awad-Jatakas |
|
|
, used
by a nurse with a child, is much the same. Besides these uncommon
specimens there are some very ordinary ones, just a plank on legs,
these can be found on
Ib 35 and 38
|
 |
main wall |
Series Ib |
Plate XVIII 35 |
1174a.JPG main wall |
|
|
 |
main wall |
Series Ib |
Plate XIX 38 |
1175b.JPG main wall |
|
|
, but there is no reason to mention
everything of the kind.
Under the thrones and couches the space is
continually used for stowing away small objects. Boxes and
chests, square or rectangular, sometimes open, sometimes closed
with a more or less arched lid or fastened round with bands; long
cylinder-shaped packages tied round with flat bands, high jars with
wide bottoms, pots and martevans, j ugs with and without a spout, flat
basins often piled up together, cups and goblets of earthenware with
and without lids, dishes with wreaths on them, round boxes and all
sorts of tilings. They are to be seen on nearly all reliefs where there
is a chance to put them in and we may consider that in such details the
sculptors probably depicted reality, only the place may- be due to the
fact that the space under the seats was very appropriate for such
paraphenalia. The contents are seldom definable, when it can be seen
they hold something. The most distinct are the chests, bowls and trays
holding valuables, rings and coins forinstance on
O 113, 127
|
 |
|
Series O |
Plate XV 113 |
898a.JPG |
|
|
 |
|
Series O |
Plate XVI 127 |
921b.JPG |
|
|
, and
IBb
20
####No Reference found IBb, 20
|
; on the last scene they are not under the seat but being offered as
a gift. On
Ib 19
|
 |
main wall |
Series Ib |
Plate X 19 |
1166a.JPG main wall |
|
|
leaves are hanging out of the opened box with a
lotusflower here and there among them; on
O 73
|
 |
|
Series O |
Plate X 73 |
794a.JPG |
|
|
we see an open dish with
a comb on it, next to this is a basin with a lid and a couple of balls;
Ia 54
|
 |
Life of Buddha |
Series Ia |
Plate XXVII 54 |
2582b.JPG Life of Buddha |
|
|
has wreaths and
O 30
|
 |
|
Series O |
Plate IV 30 |
675a.JPG |
|
|
 |
|
Series O |
Plate IV 30 |
675a.JPG |
|
|
fruit on it. For further utensils of this
kind placed under the seat see
O 6, 11, 18, 27, 43, 65, 70, 116, 125
####No Reference found O, 6
|
 |
|
Series O |
Plate II 11 |
634b.JPG |
|
|
 |
|
Series O |
Plate III 18 |
653a.JPG |
|
|
 |
|
Series O |
Plate IV 27 |
674b.JPG |
|
|
 |
|
Series O |
Plate VI 43 |
714a.JPG |
|
|
 |
|
Series O |
Plate IX 65 |
774a.JPG |
|
|
 |
|
Series O |
Plate IX 70 |
773b.JPG |
|
|
 |
|
Series O |
Plate IX 70 |
775a.JPG |
|
|
 |
|
Series O |
Plate XV 116 |
897b.JPG |
|
|
 |
|
Series O |
Plate XV 116 |
899a.JPG |
|
|
 |
|
Series O |
Plate XVI 125 |
921a.JPG |
|
|
,
Ia 60
|
 |
Life of Buddha |
Series Ia |
Plate XXX 60 |
2585b.JPG Life of Buddha |
|
|
,
lb 71
|
 |
main wall |
Series Ib |
Plate XXXVI 71 |
1193b.JPG main wall |
|
|
 |
main wall |
Series Ib |
Plate XXXVI 71 |
1193b.JPG main wall |
|
|
, but they can be found almost everywhere.