BIBLIOGRAPHY AND REFERENCES

BOOKS AND BROCHURES

(including page references for sculptors and works):-

Cannon-Brookes, Peter, Emile Antoine Bourdelle An Illustrated Commentary, Trefoil Books, London, 1984.

Caruana, Wally, Aboriginal Art, Thames and Hudson, London, 1993. (p.84-87)

Chevalier, Denys, [translated from French to English by Hennessy, Eileen B.] Maillol, Crown Publishers, New York, 1970. (p.23-62)

Deschames, Robert, and Chabrun, Jean-Francois, Auguste Rodin, MacMillan, London ,1967. (p.106-116).

Eagle, Mary, [editor] Virtual Reality, National Gallery of Australia, Canberra, 1995. (p.12-13)

Fisher, Tim, Robert Klippel, National Gallery of Australia, Canberra 1993. (Quotations p.3 and p.16)

Gibson, Eric, The Sculptor Clement Meadmore, Hudson Hill Press, New York, 1994.

Kingsley, April, Passing: Robert Stackhouse, Naussau County Museum of Fine Art, Naussau, 1980.

Klippel, Robert, Robert Klippel: A Retrospective Exhibition of Sculpture and Works on Paper, Heide Park and Art Gallery, Heidelberg, 1987.

Klooster, Cecilé R., Artists Profiles: Bert Flugelman, Contemporary Art Resource, Newtown, 1990.

Lindsay, Robert, and Holloway, Memory J., George Baldessin Sculpture and Etchings: A Memorial Exhibition, National Gallery of Victoria, Melbourne, 1983.

Lloyd, Michael and Desmond, Michael, European and American Painting and Sculpture in the Australian National Gallery 1870-1970, Australian National Gallery, Canberra, 1993. ('Auguste Rodin', p.56-63 (Quotation by Paul Gsell, from "Chez Rodin, L'Art et les Artistes, no.109, April 1914, p.67.); "Emile-Antoine Bourdelle", p.82-87 (Correspondence with Madame Rhodia Dufet Bourdelle, 4 July 1979 and 17 June 1986); 'Lachaise', p.160-161; 'Maillol', p.202-205; and 'Calder', p.338-341.)

Manning, Jenny, A Guide to the Sculpture Garden, National Gallery of Australia, Canberra, 1992.

Mollison, James, and Murray, Laura, [editors] Australian National Gallery: An Introduction, Australian National Gallery, Canberra, 1982. (p.9-29, and p.53-58)

Monte, James K, Mark di Suvero, Whitney Museum of American Art, New York, 1976.

Norland, Gerald, Gaston Lachaise the man and his work, George Braziller, Inc., New York, 1974.

Penny, Nicholas, The Materials of Sculpture, Yale University Press, New Haven, 1993.

Scarlett, Ken. Contemporary Sculpture in Australian Gardens, Gordon and Breach Arts International, Sydney, 1993. (Chapter 1)

Sweeney, James Johnson, Calder, the artist, the work, Boston Book and Art, Boston, 1971. ( p.15.)

Thomas, Nicholas, Oceanic Art, Thames and Hudson Ltd., London, 1995. (p.31 and 40)

Walshe, John, Bert Flugelman: A 25 Year Survey 1970-1995, Wollongong City Gallery, Wollongong, 1995. (p.14 and 15)

Wheeley, Anita, The National Gallery of Australia: An Operational Monument, Department of Art History, Australian National University, Canberra, 1994.

ARTICLES:

Desmond, Michael, ""On the Beach Again" First bronze sculpture ever created by New York artist, Robert Stackhouse", ANG Press Release, 16 August 1984, Australian National Gallery, Canberra

Hawley, Janet, "Fujiko gave up clouds to be Lady of the Fog",The Australian, 12 November 1976, Sydney, 1976. (p.21)

Hobhouse, Janet, "The Anatomy of Love: The Sculptor Gaston Lachaise devoted his art to celebrating one woman's body", Connoisseur, December, 1985, New York, 1985. (p.89-93)

Howard, Harry, "Landscaping of the High Court of Australia and the Australian National Gallery: The Sculpture Gardens", Landscaping Australia, Vol. 3, No. 82, August ,1982, Sydney, 1982. (p.208-215)

Mackie, Alwynne, and Robertson-Swann, Ken, "Four sculptures for the Australian National Gallery, works by Maillol, Lachaise, di Suvero and David Smith", Art and Australia, vol.20, No.1, Spring, 1982, Sydney, 1982. (p.56-9)

Manning, Jenny, "Bruce Armstrong's 'HEAD'", Australian National Gallery Association News, Foundation Issue, September/ October 1989, Australian National Gallery, Canberra 1989. (p.15)

Manning, Jenny, "Sculpture Garden", National Gallery News, May/June 1993, Australian National Gallery, Canberra, 1993. (p.1-5)

Staff reporter, "Canberra Gallery fleshes out its sculpture collection", Financial Review, 7 September 1978, Sydney, 1978. (p.51)

Staff reporter, "Clement Meadmore",Vogue Australia, November 1990, Sydney, 1990. (p.142-143)

Yellin, Deborah, 'Robert Stackhouse' Art News, vol. 89, December 1990, Canberra, 1990. (p.157-158)

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INTERNET/WEB PUBLISHING

Lemay, Laura, Teach Yourself More Web Publishing with HTML in a Week, Sams Net, Indianapolis, USA, 1995.

Lui, Cricket, et al Managing Internet Information Services, O'Reilly Associates, Sebastapol, USA, 1994.

WWW SITES URL Addresses

Aboriginal Art and Tradition - Koori and Tiwi. Pukamani poles on Bathurst and Melville Islands.

http://www.webnet.com.au/koori/artpage1.html

http://www.world.net/Travel/Australia/NTTC/topend.html

Apollo 11 - 25 Years later. Text and image.

http://nssdc.gsfc.nasa.gov/planetary/lunar/apollo11.html

http://155.187.10.12/anbg/anbg-introduction.html

http://155.187.10.12.80/anbg/plant-enquiry-service

http://155.187.10.12:80/anbg/gardens -environment

Biographies for Alexander Calder (including "Hello girls" 1964 at LACMA), Inge King, Michelangelo, Henry Moore and Auguste Rodin ("The Gates of Hell" project by Kathleen M Treacy).

http://www.razorfish.con/pace/calder/

www.lacma.cug/General/index%.html

http://sunsite.unc.edu/louvre/paint/auth/michelangelo/

http://www.razorfish.con/pace/moore/

http://bohm.anu.edu/~t9400687/homepage.html

Byzantine Dome - The interior of the Hagia Sophia, Istanbul, Turkey.

http://www.dsu.edu/department/liberal/artwork/Thesis/text/artH1.46.html

Caryatids (Karyatids) on the porch of the Erectheion, Athens, Greece.

http://atlas.central.ntua.gr.8080/webacropolis/erechtheo.html

Dinosaur bones in the Dinosaur National Monument, Utah, USA.

http://kbc.com/images/dino.gif

Musée Rodin - entry information and picture (See also biography above.)

http://www.paris.org/Musee/Rodin/

Slit Gongs, see The New Guinea Sculpture Garden project at Stanford University (The project began in 1994).

http://fugi.stanford.edu/icenter/png/ngp.html

http://loki.ur.utk.edu/sculpture/sculpt.html

Temple roofs and torii gates at Japanese shrines. For example the Itsukushima Shrine, Hiroshima (Built AD 1241-1602)

http://archiweb.com/japan/j_data/IT/IT.e.html

Vanuatu history and location.

http://www2.hawaii.edu/~ogden/pacific/vanuatu.html

Viking ships - Re constructed to sail, see the Viking Navy by Peter Sjolander.

http://digalog.com/peter/viknavy/vikhome.html

Also, the Sutton Hoo project by Denise Gotte and Rebecca Cole.

http://bohm.anu.edu/~g9300202/homepage.html

World Heritage Listings - History, benefits

http://Kaos.erin.gov.au/portfolio/dest/wha/listing.html

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CREDITS

All works are in the collection of the National Gallery of Australia, Canberra, unless otherwise stated.

Most of the photographic material came from the National Gallery of Australia, i.e. either from the Slide Library or the Photographic Services Section. However, the following 2 portraits were acquired from the Art Archives of the Research Library of the National Gallery of Australia, 1) "Bert Flugelman with maquette for 'Cones' at the steel manufacturer in Adelaide", Adelaide Advertiser, 7 August 1982, and 2) "Mark di Suvero in his workshop", photograph by M Lee Fatherre, New York, 1994, from an exhibition catalogue. The author also took some of the photographs with a digital camera. Photographic material obtained directly off the Internet (Netscape) has been acknowledged above under World Wide Web URLs.

The map is based on maps held in the archives of the Building Services section of the National Gallery of Australia.

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ACKNOWLEDGMENTS

I would like to thank Professor Michael Greenhalgh for the challenge of the 1995 Database and Graphics course. However, I could not have succeeded without the assistance of my tutor, Dr Elizabeth Findlay and departmental research assistant, Jo Cramer. I wish to thank both Elizabeth and Jo for their unfailing courtesy and good humour.

I would also like to thank all of the staff at the National Gallery of Australia for their active support of the Studybank program and this project in particular.

Finally, I wish to thank all my family for their continuous love and support, especially, George.

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